Missing a bit of a space of time there. Just the final rush to get everything done for the Modified show. I thought I'd taken a few photos along the way, but couldn't find them on the camera, opps.
This is a new piece that I started before the rush to get things done for the Modified show. I'm figuring out what I'm doing for the figures now. I'm going to put a little bit more color into the next batch of work. I have roughly twelve to sixteen paintings to complete for the Lanning Gallery in Sedona. They will be mixed in with work from the Modified show. Once I had everything up on the wall I realized that it was a little more intense than I meant to be. Honestly, I've done these works in such a thought stream that considerations of the pallet weren't considered, which is how it should be. Nonetheless, I don't think it would be a bad idea to throw in a few works with some strong color to lighten the mood a little. The humor relief within a Greek or Shakespeare play.
I do think the almost monochromatic body of work currently at Modified is stunning. I've heard a few remarks that it's a bit dark. I can only nod and not think too much about it. The work was created very quickly within a pure thought stream. I really left the subject matter to my subconscious mind and consciously just painted like there was no tomorrow. There's a lot of interesting stories within these paintings. I can't wait until I can stop and decipher what my subconscious is telling me. Usually, the work is prophetic in some sense and is telling me things about what I'm thinking and feeling that's buried beneath the surface. Don't worry I'm not going Freudian on you guys. I do believe the mind does bury things on us at times and it might even just be a result of being so busy rushing around doing things that we don't have much time to sit, be alone, and reflect on our feelings about what's happening in our worlds.