Completed Worn Out Life early this morning and delivered it up to the Lanning Gallery in Sedona this afternoon. It was a very rainy trip. At one point I was tempted to pull over and find a place to wait out the storm, but I pressed on. Within another 10 miles it was amazingly dry. The irony of living in Arizona's deserts during the summer. The storms are very localized.
I painted in my studio from the evening until a couple hours before dawn this morning while it gently rained outside. The humidity slowed down the drying time of my acrylics and allowed me to paint with ease applying layers of glazes and painting semi-opaquely back into them. It's these wonderful moments that make being a painter so wonderful for me. I found that I reworked major portions of the painting and resolved many other areas differently than originally planned. I also discovered that the painting itself became more haunting, forlorn and monumental. It became much more building focused and the landscape more desolate that originally planned as well. The give and take within the conversation between the artist and the canvas.
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