I've been working on Temporal a 24 x 48 inch canvas all week in a very focused effort. This will be the title piece for the exhibit at Modified Arts in October with the opening on the 18th. Originally I was going to use Cling, but this one is the one. It helps that the title of the show fits. This is really a temporal moment where the movement of the street crossers with the light and shadows is absolutely fleeting.
I've been going through my San Francisco and Downtown Phoenix photos with a new eye for the drawings and I'm discovering paintings I hadn't seen before. I guess a break from the figurative/urban works has done me some good.
I think the thing also about working on the desert/gas station paintings was the need to mix colors in bulk. I have carried the practice into the last two figurative/urban works and it has sped things up considerably. It's funny that something so simple has never dawned on me all these years. This new manner of working has also helped me solidify the new color palette as well. I like using more color, but maintaining a muted film noir quality. This painting reminds me of Alfred Hitchcock's Vertigo with all of it's bluish grays.