Here's a working shot of There's More To It Than That a new 72 x 36 inch mixed media on canvas work. I have to laugh at my titles at times. I bounce back and forth from single word titles to long The Smiths like titles. It's what comes to me while painting them, so it is what it is.
When I worked abstractly I used to make lists of titles for a show and then if a title didn't come to me I would then go down the list until something fit. Often times I found myself in the predicament where the title that came to me while painting a piece had already been used. I stopped using that system.
Today, I just wait for a title to come to me. If it doesn't come to me I will look to the collaged text to invent something or will open a book randomly with my eyes closed and point somewhere on a page. If it makes sense - I use it. Titles these days typically don't require any special rituals, however. They've been flowing easily.
This piece is an answer to There's No Going Back. I chose to have a sunset with an impending monsoon storm coming in. In this instance a storm coming in is far from negative. In the desert the storms are awaited for, not dreaded; bringing cooler temps and life to the landscape. The sunset is representative of turning the page or putting false perceptions to rest for a new day tomorrow. In many cases there is no going back, but sometimes there's more to the circumstances surrounding past events than you may have known at the time or even been capable of grasping. In fact I have recently found that everything I thought I knew at one time was based on false perceptions and assumptions. In short, there may be no going back, but there is returning to where you once were and beginning a new. In the same place; just at a different time.